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Propaganda
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Propa Propaganda
Propa Propaganda was Benjamin Zephaniah’s second collection from Bloodaxe.First published in 1996, it includes some of his classic poems, such as ‘I Have a Scheme’, ‘The Death of Joy Gardner’, ‘White Comedy’ and ‘The Angry Black Poet’.Best known for his performance poetry with a political edge for adults – and his poetry with attitude for children – he was the first person to record with the Wailers after the death of Bob Marley, in a musical tribute to Nelson Mandela, which Mandela heard while in prison on Robben Island.He has published three other poetry books with Bloodaxe, City Psalms, Too Black Too Strong and To Do Wid Me (a DVD-book including a film portrait by Pamela Robertson-Pearce).His autobiography, The Life and Rhymes of Benjamin Zephaniah, was published by Scribner in 2018.
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Propaganda 2.1 : Understanding Propaganda in the Digital Age
As the Internet Age endures and expands, Peter K. Fallon peers into the Pandora's Box of our age. A twenty-first century update to Jacques Ellul's masterful sociological study Propaganda, Propaganda 2.1 explores how the 'digital revolution' has transformed the boundaries between individuals, institutions, and centres of power.Coupling historical analysis with a wealth of current examples, Fallon exposes the intricate and insidious ways propaganda alters our daily realities. Propaganda 2.1 is divided into three sections: propaganda 1.0, 2.0, and 2.1.Propaganda 1.0 compares the popular conception of propaganda with persuasive techniques such as rhetoric and coercion; 2.0 reveals how the development of moveable-type printing built the foundations of modern propaganda; and, finally, 2.1 inhabits the 'post-truth' world in its totality.Whilst the media landscape continually shifts, Propaganda 2.1's analysis is an opportunity to tackle this new reality.
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Neo Rauch: PROPAGANDA
German artist Neo Rauch, championed as “the painter of the zeitgeist” by The New York Times’s Roberta Smith, presents new paintings in PROPAGANDA. Rauch is widely celebrated for his captivating compositions that bring together figurative painting and surrealism into an entirely new kind of visual encounter.They often hint at broader narratives and histories—seemingly reconnecting with artistic traditions of realism—but they remain dreamlike and impossible to reduce to a single story.Though his art is highly refined and executed with great technical skill, Rauch himself stresses the intuitive, deeply personal nature of how he works.As the artist notes, “My process is far less a reflection than it is drawing from the sediments of my past, which occurs in an almost trance-like state. ”Eight large-scale canvases and seven smaller, more intimately scaled works continue the artist’s exploration of figuration and the ambiguous nature of meaning in visual art.In some of the larger works, the saturation of the canvas with characters, objects, and, forms, all rendered at different scales and in conflicting arrangements, creates a collage-like quality—a figurative scrapbook of Rauch’s personal iconography.The publication features a short story by German novelist and playwright Daniel Kehlmann, which was inspired by the paintings in this book.The fantastical text moves between present-day New York and an unknown time of enchanted forests, knights, and witches, exploring the many layers found in Rauch’s canvases.Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong in 2019, Neo Rauch: PROPAGANDA is available in both English only and bilingual English/traditional Chinese editions.
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Media, Persuasion and Propaganda
This is an eclectic, interdisciplinary overview of persuasive strategies and propaganda techniques.Living in a saturated media environment, we are crowded from all sides by persuasive messages and information.Advice, promotion and propaganda form a spectrum of persuasion - and everywhere we see it performed in its full theatricality, complete with actors, scripts, props and costumes.Media, Persuasion and Propaganda guides the reader through the many varieties of persuasion and its performance, exploring the protocols of rhetoric unique to the medium, from orality and print to film and digital images.Using case studies and exercises, this innovative study poses challenging questions: How do individuals and organisations exert influence to build communities and networks?What role do media play in communicating persuasive messages?How do we use recent discoveries in cognitive science to promote a cause, advocate social change or market ideas and products?How do we defend ourselves against manipulation and undue influence and when does persuasion turn into propaganda? It uses global examples and case studies to define the spectrum of persuasion, from promotion to propaganda. It examines the performance of propaganda, from orality to new media.It includes exercises in each chapter to reinforce the key themes and promote discussion. 1. Orientalism: it explores western scholarly and media portrayals of the Orient the Middle East, North Africa, and Islam for ideological purposes; 2.Abu Ghraib Exposed; it examines the disturbing images which emerged in the US media in 2004 exposing the torture of Iraqi prisoners by the American military and CIA operatives in Abu Ghraib prison, Baghdad; 3.PR and Climate Change: it delves into Cuba's Revolutionary Landscape to look at the presentation of climate issues; 4.The Power of Nightmares; British filmmaker Adam Curtis argues that the global 'War on Terror' is based on a myth providing politicians with their power to govern; and; 5.Rupert Murdoch and his News Corporation Scanda. It also includes: 6. The Israel Lobby: In March 2009, British MP George Galloway was denied entry into Canada because he supported Hamas, an elected political party in Gaza identified as a terrorist organisation by the Canadian government. Soules examines the pro Israel lobby as a significant source of flak challenging media reports on Israeli Palestinian relations; 7.Fox News: raises issues about journalistic ethics and management interference, especially when that interference is sustained, partisan, and inflammatory; and 8.Ai Wei Wei: Never Sorry. In his notorious 1995 performance piece, dissident Chinese artist Ai Wei Wei photographed himself dropping an ancient Han Dynasty urn which smashed at his feet.This case study explores the aftermath and how Ai Wei Wei became a hero of dissent for critics of China's human rights policies.
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All Art Is Propaganda
Orwell demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low.A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead.All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary.With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line." AUTHOR: George Orwell (1903-1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.
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Propaganda
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Propaganda
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